First International Roberto Gerhard Conference 2010
Conference Papers
Available to download as PDFs
Joaquim Homs (invited paper)
Roberto Gerhard, the human side
Mark E. Perry, North Georgia College and State University
'Un Catalá Mundial': The early works of Roberto Gerhard
Leticia Sánchez de Andrés, Universidad Autónoma de Madrid
Roberto Gerhard and Ricard Gomis: A long and fruitful friendship
Belén Pérez Castillo, Universidad Complutense de Madrid
'I am in tune with Camus' Roberto Gerhard and Camus: A synergy against totalitar
Gabriela Lendle, University of Music and Dance, Cologne, Germany
Double Reality in Roberto Gerhard's Don Quixote
Trevor Walshaw, University of Huddersfield
Samuel Llano, University of Birmingham
Roberto Gerhard's Romeo and Juliet (1947) and the Shakespeare Memorial Theatre
Rachel E. Mitchell, University of Illinois
Form and function in Roberto Gerhard's String Quartet no. 1
Fernando Buide, Yale University
Unity and process in Roberto Gerhard's Symphony no. 3, 'Collages'
Darren Sproston, University of Chester
Serial metamorphoses in the music of Roberto Gerhard
Carlos Duque, City University
Gerhard's electronic music: a pioneer in constant evolution
Monty Adkins, University of Huddersfield
Audiomobiles, Sculptures and Conundrums
Hans Boye (invited paper)
How Roberto Gerhard was persuaded to make the soundtrack for DNA in Reflection
Julian White
'Lament and Laughter': emotional responses to exile in Gerhard's post-Civil War
Gregorio García-Karman
Roberto Gerhard’s tape collection: the electronic music
Diego Alonso Tomás, Universidad de La Rioja
'A breathtaking adventure': Gerhard's music education under Arnold Schoenberg