firstname.lastname@example.org | 01484 471251
Dr Stella Baraklianou joined the University of Huddersfield in November 2012, as a member of the Photography BA Hons programme. Prior to Huddersfield she was full-time photography lecturer within the School of Art, Design and Media, University of Portsmouth (2010-12). She has been teaching photography and contemporary art in Further and Higher education in the UK and abroad since 2005. Previous posts also include: Adjunct lecturer, OTIS College of Art and Design, Los Angeles, California (2009-10) and Visiting Tutor, MA in Photography and Urban Cultures, Goldsmiths College of Art (2007-08).
She completed her PhD by Practice in the Visual Arts Department at Goldsmiths College, University of London (2007). The title of her thesis is ‘Photographing the Landscape of Memory.’ Her supervisors were Professor Victor Burgin and Dr Francoise Verges. Prior to that, she obtained the MA in Photographic Studies at the University of Westminster, (2002). As a practitioner she has participated in numerous exhibitions both in the UK and abroad. Residencies include a short-term stay at the Sydney College of Arts, Sydney Australia (2008). Between 2009-10 she resided in Los Angeles, California and was involved with the artists initiative Material Press as well as The Public School.
As a practice-based researcher, she is interested in interdisciplinary methods at the intersections between photography (digital/analogue), aesthetics and philosophical inquiry.
Baraklianou, S (2016) Photography is Magic [Show/Exhibition]
Baraklianou, S (2016) Container II [Artefact]
Baraklianou, S (2016) New Materiality, Banff Arts Centre [Artefact]
Baraklianou, S (2015) Container I [Artefact]
Baraklianou, S (2015) Grand Art Projects III [Show/Exhibition]
Baraklianou, S (2015) Snail Time [Show/Exhibition]
Baraklianou, S (2014) ‘Moire Effect: Index and the digital image’ Footprint. Delft Architecture Theory Journal , 14, pp. 81-96. ISSN 1875-1490
Baraklianou, S (2013) ‘Pasearse. Duration and the act of photographing.’. In: Bergson and the art of immanence. Painting, photography, film, performance. Edinburgh: University of Edinburgh Press. . ISBN 9780748670222
Baraklianou, S (2012) ‘Pixel’ Philosophy of Photography , 3 (2), pp. 305-309. ISSN 2040-3682
Baraklianou, S (2012) ‘Affect and digital technologies’. In: SEP/FEP in association with London Graduate School, September 7th - 9th 2012, Manchester Metropolitan University
Baraklianou, S (2012) ‘Figures of the Neutral: Intensities and Suspensions Within Art Practice’. In: Invited seminar paper, 2 February 2012, Manchester Metropolitan University
Baraklianou, S (2011) ‘The photograph as pulsating event’. In: Symposium Rhythm and Event, London Graduate School and Kingston, London, October 29th 2011, London, UK
Baraklianou, S (2011) ‘Projections of Animality- Responding to Phillip Warnell's film Outlandish’. In: Unruly Creatures, Symposium on art, politics, the animal. London Graduate School and Natural History Museum, London, 14th June 2011, London, UK
Baraklianou, S (2011) ‘Pasearse. Duration and the act of photographing’. In: Bergson and his post-modern legacies, Courtauld Institute of Art, February 25th - 26th 2011, London, UK
Baraklianou, S (2010) Let down your hair [Show/Exhibition]
Baraklianou, S (2010) ‘Picture from window’ WIP (Work in Progress) online photographic magazine (8), pp. 24-29.
Baraklianou, S (2008) ‘Thread of light: the paradoxical nature of the photographic frame’. In: Derrida Today, University of Macquarie, July 10th - 12th 2008, Sydney, Australia
Baraklianou, S (2008) ‘Silently disturbing: the political aesthetics of Doris Salcedos recent installations’ Axis Dialogue Webzine . ISSN 1749-4990
Baraklianou, S (2008) Space of Time [Show/Exhibition]
Baraklianou, S (2007) ‘Mothers daughters mothers’. In: Invited seminar paper, 2007, Warwick: Centre for the Study of Women and Gender.
Stella is interested in supervising practice-based projects, within fine art or contemporary photographic practices, in the following areas: