Adam Scime. Wet Ink Ensemble - Smoke Airs. The Whole Note. October 2020.

Rigobert Dittmann. Wet Ink Ensemble - Smoke Airs. Bad Alchemy (108). September 2020.

Ben Harper. Wet Ink Ensemble - Smoke, Airs. Boring Like A Drill. September 2020.

Roger Heaton. Kathryn Williams - Coming Up For Air. TEMPO June 2020.

Ben Harper. Juliet Fraser - Spilled Out From Tangles. Boring Like A Drill. April 2020.

Liam Cagney. Gramophone - world-line. Gramophone. February 2020.



David Hajdu. Riot Ensemble – Speak, Be Silent. The Nation. December 2019.

Christian Carey. Riot Ensemble – Speak, Be Silent; ELISION Ensemble – world-line. sequenza21. December 2019.

Elizabeth de Brito. Kathryn Williams – Coming Up For Air. The Daffodil Perspective. December 2019.

Tim Rutherford-Johnson. ELISION Ensemble – world-line. The Rambler. December 2019.

Alex Ross. Riot Ensemble – Speak, Be Silent. The New Yorker. December 2019.

Hannah Reardon-Smith. Riot Ensemble – Speak, Be Silent. Tempo. September 2019.

Nomi Epstein. Bozzini+. Tempo. July 2019.

Lisa MacKinney. Riot Ensemble – Speak, Be Silent. Limelight Magazine. July 2019.

Christian Carey. Riot Ensemble – Speak, Be Silent. sequenza21. June 2019.

Jarrett Goodchild. Riot Ensemble – Speak, Be Silent. I Care If You Listen. May 2019.

James Manheim. Riot Ensemble – Speak, Be Silent. AllMusicGuide. April 2019.



Simon Cummings. Best Albums of 2018 (#10| Phantom Images). 5against4. December 2018.

Christian Carey. Best of 2018: Instrumental and Recital CDs. Sequenza 21. December 2018.

Simon Cummings. Phantom Images and Beyond Pythagoras. 5against4. June, 2018.

Rob Haskins. American Record Guide - Apartment House, CC. American Record Guide. July-August 2018

Stephen Chase. Huddersfield Contemporary Music Festival 2017. TEMPO. April 2018

Liam Cagney. Gramophone - CC. Gramophone. April 2018

Liam Cagney. Gramophone - Parsons. Gramophone. March 2018

Simon Cummings. Electric Spring 2018. 5against4. March 2018

Oliver Thurley. Apartment House: Wolff, Cage, ‘Performing Indeterminacy’, University of Leeds, 1 July 2017. TEMPO. January 2018

Alex Ross. Nightafternight playlist. The Rest Is Noise. January 2018



Timothy Rutherford-Johnson. 2017: Sounds of the Year - Cassidy/Lim, The wreck of former boundaries; Cage/Wolff, CC; Ablinger, Verkündigung. The Rambler. December 2017

Grego Applegate Edwards. John Cage/Christian Wolff: CC. Classical-Modern Music Review. December 2017

Top 100, 2017 - Sunday Times - Wreck of former boundaries. The Sunday Times. December 2017

Brian Olewnick. John Cage/Christian Wolff: CC. Just outside. December 2017

Brian Olewnick. Michael Parsons: Patterns of Connection. Just outside. December 2017

Bill Shoemaker. Michael Parsons: Patterns of Connection. Point of Departure. December 2017 

Julian Cowley. The Wire - Apartment House - Parsons / CC. The Wire. November 2017

Simon Cummings. Cassidy/Lim: The wreck of former boundaries. 5against4. November 2017

Kate Molleson. John Cage/Christian Wolff: CC. The Guardian. October 2017

Paul Driver. Sunday Times - Apartment House - Parsons / CC. The Sunday Times. October 2017

Paul Steenhuisen. Cassidy/Lim: The wreck of former boundaries. The Whole Note. August 2017

Simon Cummings. Electric Spring 2017. 5against4. February 2017

Fabrice Fitch. Fabrice Fitch. Review: Caerulean [CD Review]. Gramphone. February 2017Gramophone. February 2017

Rainer Nonnenmann. Michael Finnissy: Beat Generation Ballads [CD Review].. Neue Zeitschrift für Musik. 11 January 2017 [German Language]



Tim Rutherford-Johnson. Three releases from Huddersfield Contemporary Records. The Rambler. 30 September 2016

Julian Cowley. Michael Finnissy: Beat Generation Ballads [CD Review]. The Wire. 1 September 2016 

Grego Applegate Edwards. Michael Finnissy, Beat Generation Ballads, Phillip Thomas [CD Review]. Gapplegate Classical-Modern Music Review. 26 October 2016

Philip Clark. Michael Finnissy: Beat Generation Ballads [CD Review]. Gramophone. 1 August 2016 

Kate Molleson. Harrison: Receiving the Approaching Memory CD review – a perfect slice of gossamer music. The Guardian. 14 July 2016

Paul Driver. Michael Finnissy: Beat Generation Ballads [CD Review]. Sunday Times. 12 June 2016

Andrew Clements. Michael Finnissy: Beat Generation Ballads; First Political Agenda [CD review]. The Guardian. 9 June 2016

Simon Cummings. New Releases: Monty Adkins & Terri Hron, Åke Parmerud, Francis Dhomont. 5against4. 26 May 2016

Tristan Bath. Lépidoptères -Monty Adkins/Terri Hron [Review]. The Wire. 1 May 2016

Kurt Gottschalk. Liza Lim: Orchestral Works [Review]. The Squids Ear. 25 April 2016

Alex Ross. Symphomania reawakens [Liza Lim: The Guest]. The Rest is Noise. 25 April 2016

Egbert Hillier. Die Wirklichkeit is dünn wie Papier [Tree of Codes: Review]. Neue Zeitschrift für Musik [German Language]. 28 April 2016

Tim Rutherford-Johnson. Review: Tree of Codes (Musikfabrik). Limelight Magazine. 20 April 2016

Uwe Bräutigam. Tree of Codes| Reality is only as thin as paper. NRWJazz. 14 April 2016 [German Language]

Jörg Lengersdorf. Liza Lim ‘Tree of Codes’ in Köln. WDR3 Opernblog. 11 April 2016

Andreas Falentin. Schöne Neue Musikwelt. Theatre Pur. 10 April 2016 [German Language]

Andreas Falentin. Open Space - Liza Lim: Tree of Codes. Die Deutsche Bühne. 10 April 2016 [German Language]

Markus Schwering. Uraufführung in Kölner Oper: Liza Lims „Tree of Codes“ überwältigt die Zuschauer. Kölner Stadt-Anzeiger. 10 April 2016. [German Language]

Ulrike Gondorf. Musiktheater als Labor des Bewussteins. Deutschlandradio Kultur. 09. April 2016 [German Language] 

Anni Heino. Liza Lim’s Tree of Codes and the ephemerality of life. Resonate Magazine. 16 March 2016

Rebecca Schmid. Passend zur Weltlage: Eine instabile Klangwelt. Berliner Morganpost. 26 January 2016. [German Language]



Philip Clark. The playlist: best experimental music of 2015 - Laura Cannell, Philip Jeck and more [inc. Philip Thomas]. The Guardian. 26 December 2015.

Kate Molleson. Kudirka: Beauty and Industry CD review - slow and starkly beautiful [former PhD student]. The Guardian. 17 December 2015.

Alex Ross. Notable Performances and Recordings of 2015 [inc. Liza Lim]. The New Yorker. 15 December 2015.

Julian Cowley. James Saunders Unassigned #15 [CD Review] [inc. Philip Thomas]. The Wire. 1 November 2015.

Nick Caine. Jürg Frey - Grizzana and other pieces 2009-2014 [CD Review] [inc. Philip Thomas]. The Wire. 1 October 2015.

Flore Estang. Séverine Ballon: violoncelleet Solitude [CD review] [inc. Liza Lim]. musicologie.org. 22 September 2015. [French Language]

Artists Capture Festival of the Unconscious Huddersfield Press Release, July 2015

Dietrich Heißenbüttel. Liza Lim: Orchestral Works [5* Review]. Neue Zeitschrift für Musik. 2 March 2015. [German Language: Translation]

Gordon Kerry. Liza Lim: Orchestral Works [CD Review]. The Music Trust. 1 March 2015.

Simon Cummings. Electric Spring 2015 [Review]. 5against4. 25 February 2015.

Andrew Clements. Lim: The Compass; Pearl, Ochre, Hair, String; The Guest. CD Review – ambitious eruptive orchestral works [Liza Lim: Orchestral Works [CD]. Switzerland,  Hat[hut]. 2014.] The Guardian. 5 February 2015.

Textura. Monty Adkins: Borderlands. CD Review. [Borderlands. Sheffield, Audiobulb. 2014.] February 2015

Julian Cowley. Christopher Fox – Works for Piano. CD Review. [Philip Thomas (pno): Christpher Fox – Works for Piano [CD]. Switzerland, Hat[hut]. 2014] The Wire. February 2015

Julian Cowley. Liza Lim: Orchestral Works. CD Review. [Liza Lim: Orchestral Works [CD]. Switzerland,  Hat[hut]. 2014.] The Wire. February 2015

Julian Cowley. Morton Feldman – Two Pianos and Other Pieces, 1953-1969. CD Review. [Philip Thomas (pno): Morton Feldman – Two Pianos and Other Pieces, 1953-1969 [CD]. Switzerland, Hat[hut]. 2014.]

Matt Wuethrich. Christian Wolff – Pianist: Pieces. CD Review.  [Philip Thomas (pno): Christian Wolff – Pianist: Pieces [CD]. Brussels, Sub Rosa. 2014] The Wire. February 2015

Simon Cummings. Electric Spring 2015. 5against4. February 2015

Paco Yáñez.  Dos medios, un Gerhard. CD Review. [Monty Adkins (ed.): Electronic Explorations from his Studio + the BBC Radiophonic Workshop 1958-1967 [CD]. Belgium, Sub Rosa. 2014] [Spanish Language] Mundoclasico.com. 19 January 2015.



Andrew Clements, Feldman Two Pianos and Other Pieces. CD Review – transcendentally beautiful. (Tilbury/Thomas, Another Timbre CD), The Guardian, 3 December 2014.

Andrew Clements. Wolff: Pianist: Pieces – a fascinating collection. CD Review. [Philip Thomas (pno): Christian Wolff – Pianist: Pieces [CD]. Brussels, Sub Rosa. 2014] The Guardian. 20 November 2014.

Simon Cummings, Reviews of HCMF 2014,  Monty Adkins + Britt Pernille Frøholm…,

Electric Spring 20th Anniversary concert (Harker, Clarke, Adkins, Tremblay + Woods)

HCMF Shorts, Feldman’s Pianos (Ryoko Akama, Diego Castro, Philip Thomas),

Lim & Cikada Ensemble, 5:4 Blog, November 2014.

Simon Cummings. HCMF 2014: Quatuor Bozzini, Electric Spring @ 20. 5against4. November 2014 

Paul Driver, All signing, All Dancing. (includes review of hcmf2014 concerts from Edges Ensemble led by Philip Thomas; Liza Lim with Cikada Ensemble). Sunday Times Review, 30 November 2014.

Tobias Fischer, Interview with Monty Adkins, tokafi, November 2014.

Philip Clark, A selection of works from CeReNeMThe Wire, Issue 366, August 2014.

Abi Bliss, Synth-Aesthesia: CeReNeM’s Future Sounds, Red-Bull Academy Magazine, 16 July 2014.

Tim Rutherford Johnson, Recent releases from Another Timbre,  (series of CD reviews), 7 July 2014.

Jannis Van de Sande, Interview with Monty Adkins, ‌

ElectroCD, Multiple reviews of Pierre Alexandre Tremblay’s CD: La Marée,  April-June 2014.

John Eyles, Laurence Crane: Composer of the Year?,  CD review, All About Jazz, 25 June 2014.

Mark Coughlan, CD Reviews: First Aid Kit, Liza Lim… ,  The Australian, 14 June 2014.

Ivan Hewett, London Contemporary Music Festival, review Daily Telegraph, 27 May 2014.

Alex Ross, Singing in Tongues: Two song cycles by Liza Lim,  The New Yorker, 28 April 2014.

Corinne Ramey, Australian Composer Finds her Marbles,  The Wall Street Journal, 9 April 2014.

Peter McCallum, Extreme ensemble evokes perilous state of mind,  Sydney Morning Herald, 19 March 2014.

Andrew Aronowicz, Concert review: And the scream, Bacon’s scream (ELISION),  Limelight Magazine, 19 March 2014.

Music News Desk, The Miller Theatre Concludes 2013-14 Composer Portraits Series with Liza Lim,  Broadway World, 10 March 2014.

Matthew Lorenzon, Making meaning as you journey (Liza Lim),  RealTime #119, Feb-March 2014.

John Eyles, New Compositions from Huddersfield on Another Timbre,  All About Jazz, 19 January 2014.

Arnold Whittal, Exposure, HCR CD review incl. Aaron Cassidy, Bryn Harrison & Richard Glover, ‌Karen Leow. Squiggles are the New Quarter Notes: Why Music Looks Different Now,  The Atlantic, 4 October 2013.