...an album of startling virtuosity and modern new music of great interest and complexity. - Grego Applegate Edwards, Classical-Modern Music Review (April 2016)
In Shrouded Mirrors, Chilean virtuoso Diego Castro Magaš champions recent British guitar music. The collection explores extremely demanding works with radical aesthetics and highly suggestive content. In doing so, Magaš explores the evocative quality of the instrument through extremes of both intimacy and violence. As a result of close collaboration with the composers involved, the recording includes innovative and authoritative versions of pieces by Brian Ferneyhough and James Dillon, as well as world premiere recordings of music by Matthew Sergeant, Bryn Harrison, Michael Finnissy and Wieland Hoban.
Diego Castro Magaš is a Chilean virtuoso guitarist, currently based in Huddersfield, UK. Since 2006, he has been particularly interested in guitar music of radical aesthetics. Castro Magaš has been recognised in numerous international guitar competitions and has appeared as soloist in more than eighteen countries throughout Europe, the Americas and Oceania, with a particular interest in new music. Diego has collaborated with composers including Aaron Cassidy, James Dillon, Brian Ferneyhough, Michael Finnissy, Bryn Harrison, Wieland Hoban, Clemens Gadenstätter and Matthew Sergeant, amongst others.
1. bet maryam (2011), Matthew Sergeant [5’23’’]
2-5. M.C.E. (2010), Bryn Harrison
I [4’06’’]
IIa [3’01’’]
IIb [3’03’’]
III [6’09’’]
6. Nasiye (1982, rev. 2002), Michael Finnissy [11’01’’]
7. Shrouded Mirrors (1987), James Dillon [9’07’’]
8-14. Kurze Schatten II (1983-89), Brian Ferneyhough
I [2’18’’]
II [1’17’’]
III [2’10’’]
IV [2’53’’]
V [2’06’’]
VI [3’04’’]
VII [3’49’’]
15. Knokler I (2009), Wieland Hoban [5’17’’]
Diego Castro Magas - guitar
Recording: St Paul’s Hall, Huddersfield, 17-20 August 2015
Instrument: Christopher Dean (Oxford, 2009)
Sound engineering & editing: Cato Langnes
Mastering: Cato Langnes
Photography: C Paty Alegria
Design: Mike Spikin
Programme notes: Diego Castro Magas
